Category Archives: Location

Places. Sites. Spots. Do they have to exist in the current universe? The debate is on!

Submission No. 51

Kenny Schachter riffs on art market pricing. Or, in fact, he rants. I know, Tom, this isn’t really your thing. Perhaps, though, it’s a metaphor for a larger problem, like the mass production of instantly disposal high-value materials disguised as

Submission No. 51

Kenny Schachter riffs on art market pricing. Or, in fact, he rants. I know, Tom, this isn’t really your thing. Perhaps, though, it’s a metaphor for a larger problem, like the mass production of instantly disposal high-value materials disguised as

Collection No. 4

The bunny project goes sideways. As seen at Oakland Art Murmur. Is more commentary necessary? I did not set foot inside the booth as I was concerned there might be an absence of naked bunnies.

Collection No. 4

The bunny project goes sideways. As seen at Oakland Art Murmur. Is more commentary necessary? I did not set foot inside the booth as I was concerned there might be an absence of naked bunnies.

Submission No. 49

Tom! I can’t remember the name of this artist. I saw this sculpture — its bottom edge is perhaps 6 feet off the ground — at the Norton Simon Museum in Pasadena. The Museum’s website does not share the full

Submission No. 49

Tom! I can’t remember the name of this artist. I saw this sculpture — its bottom edge is perhaps 6 feet off the ground — at the Norton Simon Museum in Pasadena. The Museum’s website does not share the full

Submission No. 48

by sean duffy, as seen last month at susanne vielmetter los angeles projects… please try to look past or through my low res iphone images… — miriam p.s. the box is empty inside, I took a provisional image by holding

Submission No. 48

by sean duffy, as seen last month at susanne vielmetter los angeles projects… please try to look past or through my low res iphone images… — miriam p.s. the box is empty inside, I took a provisional image by holding

Submission No. 46

The technique seems crude — no practiced trompe l’ oeil here, no grueling years spent in European art school copying the Old Masters. Instead we get brushy, broad strokes. Nevertheless, there is strangely affecting, blunt quality to the work. The

Submission No. 46

The technique seems crude — no practiced trompe l’ oeil here, no grueling years spent in European art school copying the Old Masters. Instead we get brushy, broad strokes. Nevertheless, there is strangely affecting, blunt quality to the work. The

Submission No. 45

This ceramic piece is soiled with living. A power strip and a power cord with a three-pronged plug. The ceramic is painted to resemble black plastic, black rubber, with a ridged red button and yellow prongs and screw. The colors

Submission No. 45

This ceramic piece is soiled with living. A power strip and a power cord with a three-pronged plug. The ceramic is painted to resemble black plastic, black rubber, with a ridged red button and yellow prongs and screw. The colors