Category Archives: Sign or signage

Submission No. 58

MADAME ARIANE— SECOND COURTYARD ON THE LEFT He who asks fortunetellers the future unwittingly forfeits an inner intimation of coming events that is a thousand times more exact than anything they may say. He is impelled by inertia, rather than

Submission No. 58

MADAME ARIANE— SECOND COURTYARD ON THE LEFT He who asks fortunetellers the future unwittingly forfeits an inner intimation of coming events that is a thousand times more exact than anything they may say. He is impelled by inertia, rather than

Submission No. 51

Kenny Schachter riffs on art market pricing. Or, in fact, he rants. I know, Tom, this isn’t really your thing. Perhaps, though, it’s a metaphor for a larger problem, like the mass production of instantly disposal high-value materials disguised as

Submission No. 51

Kenny Schachter riffs on art market pricing. Or, in fact, he rants. I know, Tom, this isn’t really your thing. Perhaps, though, it’s a metaphor for a larger problem, like the mass production of instantly disposal high-value materials disguised as

Collection No. 4

The bunny project goes sideways. As seen at Oakland Art Murmur. Is more commentary necessary? I did not set foot inside the booth as I was concerned there might be an absence of naked bunnies.

Collection No. 4

The bunny project goes sideways. As seen at Oakland Art Murmur. Is more commentary necessary? I did not set foot inside the booth as I was concerned there might be an absence of naked bunnies.

Submission No. 39

by Ali Dadgar from the series “disappearing” the first one below is called, “disappearing.” the other is called, “suitcase.” — Miriam. I can’t write on this. Why? Because of the blue, hairy skin. It is compelling, but it seems so

Submission No. 39

by Ali Dadgar from the series “disappearing” the first one below is called, “disappearing.” the other is called, “suitcase.” — Miriam. I can’t write on this. Why? Because of the blue, hairy skin. It is compelling, but it seems so

Submission No. 31

This piece — a rowboat in a gallery, with the inscription “Center for Experimental Contemplatives” written in cursive on its stern — is a piece of whimsy. We know the metaphors being evoked: afloat on an open sea, castaway, solitary,

Submission No. 31

This piece — a rowboat in a gallery, with the inscription “Center for Experimental Contemplatives” written in cursive on its stern — is a piece of whimsy. We know the metaphors being evoked: afloat on an open sea, castaway, solitary,

Submission No. 29

http://blog.sfmoma.org/2012/12/herschend-on-guston/ From Miriam: The artist Jonn Herschend makes a commentary, in the form of a “powerpoint presentation”, on a painting by Philip Guston. This painting can be seen in its material reality if you care to visit SFMOMA. In case

Submission No. 29

http://blog.sfmoma.org/2012/12/herschend-on-guston/ From Miriam: The artist Jonn Herschend makes a commentary, in the form of a “powerpoint presentation”, on a painting by Philip Guston. This painting can be seen in its material reality if you care to visit SFMOMA. In case